Recipient of the Michael Cuddigan Trust Award 2018, Linda Hirst Contemporary Vocal Prize 2017 and a Leeds Lieder Young Artist 2018, French-born and London-based soprano Héloïse Werner was one of the four shortlisted nominees in the Young Artist category of the Royal Philharmonic Society Music Awards 2017. She is also a composer and cellist.
In July 2018, Héloïse premiered her solo opera exploring language and identity The Other Side of the Sea in London and Aldeburgh. Written in collaboration with poet Octavia Bright, director Emily Burns and visual artist Jessie Rodger, generously supported by The Michael Cuddigan Trust and developed in 2017 during a Snape Maltings residency under the mentorship of Zoë Martlew, The Other Side of the Sea will be performed again at Kings Place in April 2019 as part of their Venus Unwrapped series. In 2016, Héloïse starred in Jonathan Woolgar’s acclaimed one-woman opera Scenes from the End at London’s Tristan Bates Theatre, following on from successful runs at the Camden and Edinburgh Fringe Festivals (★★★★ review from The Stage here). The show was featured in the Evening Standard “Arts picks of the week” and “The ten hottest tickets in town”. She performed extracts from both The Other Side of the Sea and Scenes from the End live on BBC Radio 3.
As a soloist, Héloïse has performed at London’s leading music venues including Royal Festival Hall, Wigmore Hall, Kings Place, St John’s Smith Square, Wilton’s Music Hall, LSO St Luke’s, St Martin-in-the-Fields, Blackheath Halls, Union Chapel, and been broadcast on BBC Radio 2, BBC Radio 3, Classic FM, Resonance FM and London Live. She was one of the artists for the RPS-winning “Schumann Street” produced by Spitalfields Festival 2017, and appeared at the 2016 BBC Proms as one of the two singers performing in Steve Reich’s Music for large ensemble with the Multi-Story Orchestra in Peckham’s car park. Recent operatic roles have included: Doctor in Maxwell Davies’ Kommilitonen! (Welsh National Youth Opera), Anya in Mannequin, a new one-woman video opera by Maria Vatenina (Tête à Tête Festival Opera), The Vixen in Janacek’s The Cunning Little Vixen (CUOS). She is also involved in the development of a new punk opera The Crocodile of Old Kang Pow by Darren Berry (Penguin Cafe).
She recently appeared in Macbeth at the Sam Wanamaker Playhouse, Shakespeare’s Globe Theatre, performing music by Laura Moody.
Héloïse is a founding member (vocals/cello) of five-piece folk band The Coach House Company who have released two original EP discs: The Coach House Company (2014) and Maiden Tales (2016). She is also a founding member of vocal ensemble SHARDS, who feature on Nils Frahm’s new album All Melody.
Héloïse was born in Paris and was a member of the ‘Maîtrise de Radio France’ for six years. At the same time, she studied the cello at the Conservatoire Maurice Ravel with Valérie Aimard. She then read music at Clare College, Cambridge, where she was also a choral scholar under Graham Ross. At Cambridge, she studied composition with Giles Swayne and won the 2011 Clare College Carol Competition. In 2009, she was awarded the ‘Creation Prize’ from the Conservatoire Maurice Ravel for her songs for piano and voice, which she performed as part of her cello final diploma. She completed her vocal studies with Alison Wells and coach Anna Tilbrook on the MMus course at Trinity Laban Conservatoire of Music and Dance as a Linda Pilgrim Charitable Trust Scholar, where she was a finalist in the Soloists’ & Roy Pleasance Competitions. She was a Help Musicians UK Postgraduate Award holder and has appeared in masterclasses with Barbara Hannigan, Sir Thomas Allen, John Mark Ainsley and Eugene Asti.