PREMIERES
Upcoming commissions from Tom Coult, Matthew Grouse and Lisa Illean.
Kim Ashton – ‘Os, oris’ (November 2014)
Kim Ashton & The Hermes Experiment – ‘The Winter’s Tale’ (September 2016)
Anna Appleby – ‘The Windhover’ (January 2017)
James Brady – ‘A Joyful Noise’ (February 2015)
Aleksandr Brusentsev – ‘If Winter’ (November 2014)
Darren Bloom – ‘Second fig’ (July 2017)
Timothy Cape – ‘Dreams Piece’ (April 2015)
Timothy Cape – ‘Favourite Bits’ (October 2014)
Ewan Campbell – ‘London, he felt fairly certain, had always been London’ (October 2015)
Mira Calix – ‘DMe’ (May 2018)
Jai Chai – ‘Still Night’ (November 2016)
William Cole – ‘Me faytz trobar’ (December 2013)
William Cole – ‘Absence’ (June 2015)
Lloyd Coleman – ‘inferno’ (February 2014)
Lloyd Coleman & The Hermes Experiment – ‘Devised piece’ (February 2015)
Jethro Cooke & The Hermes Experiment – ‘Metropolis’ (October 2015)
Jethro Cooke & The Hermes Experiment – ‘The First Spring Concert of Universal Futurism’ (February 2017)
Elis Czerniak – ‘Baruopa’ (November 2015)
Joseph Davies – ‘Hymn to Hermes’ (February 2018)
Benjamin Graves – ‘The Visions of Elizabeth Barton’ (January 2019)
Eloise Gynn – ‘Evolution’ (February 2016)
Eloise Gynn – ‘Good Morning Mr Blackbird (May 2018)
Emily Hall – ‘I am happy living simply’ and ‘The end of the ending’ (February 2017)
Robin Haigh – ‘Kalimotxo’ (March 2019)
Edward Henderson – ‘You don’t have to do this (anymore)’ (April 2015)
Edward Henderson – ‘Blow/Suck’ (October 2014)
Kate Honey – ‘Predator Fish’ (June 2015)
Edwin Hillier – ‘Pentiment’ (May 2015) – no harp
Andy Ingamells – ‘Tea towel’ (February 2016)
James Joslin – ‘Memories, Dreams, Reflections’ (April 2015)
Ali Lewis & The Hermes Experiment – ‘Familiar Objects’ (November 2016)
Oliver Leith – ‘Uh huh, Yeah’ (January 2019)
Kevin Leomo – ‘Close to the Bone’ (February 2018)
Soosan Lolavar – Mah Didam (February 2016)
William Marsey – ‘E Major’ (May 2015)
Sasha Millwood – ‘Es ist nicht genug’ (September 2014)
Alex Mills – ‘Samsara’ (May 2018)
Misha Mullov-Abbado – ‘The Linden Tree’ (February 2015)
Deborah Pritchard – ‘Kandinsky Studies’ (February 2016)
Graham Ross – ‘Away in a Manger’ (December 2015)
Joel Rust – ‘Pack of orders’ (February 2017)
Ed Scolding – ‘Black Sea’ (June 2014)
Ed Scolding ‘Inhabiting Sky’ (June 2015)
Giles Swayne – ‘Chansons dévotes et poissonneuses’ (September 2014)
Benjamin Tassie – ‘The looker’ (June 2014)
Jeremy Thurlow – ‘Quiet Songs’ (November 2014)
Timothy Salter – ‘The blood-dimmed tide’ (February 2017)
Josephine Stephenson – ‘tanka’ (June 2015)
Josephine Stephenson – ‘Between the war and you’ (December 2017)
The Hermes Experiment – ‘A Response to Valentini’ (December 2017)
Andrew Thomas – ‘Flowers aren’t they?’ (November 2016)
Elina Vagina – ‘The lost tram’ (November 2017)
Freya Waley-Cohen – ‘Oyster’ (June 2015)
Freya Waley-Cohen – ‘We Phoenician Sailors’ (November 2016)
Errollyn Wallen – ‘gun gun gun’ (January 2019)
Stephen Williams – ‘Postlude Canon’ (September 2014)
Kate Whitley – ‘My Hands’ (February 2016)
Dominic Wills – ‘Bird Movements’ (October 2016)
Stevie Wishart – ‘Eurostar – a journey between cities in sound’ (April 2016)
Gareth Wood – ‘Blake Canticles’ (Feburary 2015)
Jonathan Woolgar – ‘Scenes from the Garden of Love’ (May 2014)
ARRANGEMENTS
J.S. Bach – ‘Prelude in F minor’ from The Well-Tempered Clavier, Book 1 (arr. Schofield)
J.S. Bach – ‘Prelude in C# minor’ from The Well-Tempered Clavier, Book 1 (arr. Pashley)
J.S. Bach – ‘Prelude in D Major’ from The Well-Tempered Clavier, Book 2 (arr. Pashley)
Bach – ‘Seufzer, Tränen, Kummer, Not’ from Cantata BWV 21 (arr. Cole)
Leonard Bernstein – ‘I Hate Music’! (arr. Millwood)
Benjamin Britten – ‘A Ceremony of Carols’ (arr. Millwood)
George Gershwin – ‘I Got Rhythm’ (arr. Pashley)
Debussy – ‘Mandoline’ (arr. Werner)
Debussy – ‘Fantoche’ (arr. Schofield)
Debussy – ‘Rêverie’ (arr. Schofield) – no voice
Debussy – ‘Voiles’ (arr. Pashley) – no voice
Handel – ‘Endless Pleasure’ from Semele (arr. Werner)
Eric Maschwitz / Manning Serwin – ‘A Nightingale sang in Berkeley Square’ (arr. Denholm)
Peter Maxwell Davies – ‘Farewell to Stromness’ (arr. Pashley)
Don McLean – ‘Vincent’ (arr. Denholm)
Anna Meredith – ‘Fin like a Flower (arr. Schofield)
Joni Mitchell – ‘Big Yellow Taxi’ (arr. Pashley)
Meredith Monk – ‘Double Fiesta’ (arr. Denholm)
Alexander Mosolov –’Four Newspaper Advertisements, Op. 21’ (arr. Pashley)
Piazzolla – ‘Concert d’Aujourdhui’ (arr. Pashley)
Prokofiev – ‘Visions Fugitives Nos. 1, 7, 8 and 16, Op. 22’ (arr. Schofield)
Purcell – ‘When I am laid in earth’ from Dido and Aeneas (arr. Denholm)
Rameau – ’La Pantomime’ from Pièces de clavecin en concerts (arr. Williams)
Rachmaninoff – ‘Fragments, Op. posth’ (arr. Anne Denholm)
Ravel – ‘Rigaudon’ from Le tombeau de Couperin (arr. Schofield)
Richard Rodney Bennett – ‘Slow Foxtrot’ from A History of the Thé Dansant (arr. Pashley)
Kurt Weill – ‘Berlin im Licht’ (arr. Schofield)
OTHERS
Cage – ‘Variation IV’
Cage – ‘Four6′
Wolff –’Six Nocturnes’
Free improvisation